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Music is a means of comprehending empire as an audible formation, and the contributors highlight how it has been circulated, consumed, and understood through imperial logics. These fifteen interdisciplinary essays cover large swaths of genre, time, politics, and geography, and include topics such as the affective relationship between jazz and cigarettes in interwar China; the sonic landscape of the U.

Whether focusing on Argentine tango, theorizing anticolonialist sound, or examining the music industry of postapartheid South Africa, the contributors show how the audible has been a central component in the creation of imperialist notions of reason, modernity, and culture. In doing so, they allow us to hear how empire is both made and challenged. Contributors: Kofi Agawu, Philip V. Through a series of comic book case studies — including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants —alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the s and after.

The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States. Cinema, radio, and the typewriter, once seen as promising catalysts for new kinds of writing, began to be challenged by authors, workers, and the public.

What happens when media no longer seem novel and potentially democratic but rather consolidated and dominant?

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How has the state impacted culture and cultural production in Africa? How has culture challenged and transformed the state and our understandings of its nature, functions, and legitimacy? Compelled by complex realities on the ground as well as interdisciplinary scholarly debates on the state-culture dynamic, senior scholars and emerging voices examine the intersections of the state, culture, and politics in postcolonial Africa in this lively and wide-ranging volume.

The coverage here is continental and topics include literature, politics, philosophy, music, religion, theatre, film, television, sports, child trafficking, journalism, city planning, and architecture. Together, the essays provide an energetic and nuanced portrait of the cultural forms of politics and the political forms of culture in contemporary Africa. In the cultural imaginary of Paris, there is little room for the working class multi-racial outskirts, unless the subject is Islamic culture and the subjection of women and queer subjects.

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Like the city of the Francophile tourists, this other Paris is largely an imagined territory, albeit associated with crime, unbridled patriarchy, and violence. Un-shackling the sensational and the Paris outskirts, this book chronicles everyday life in the impoverished sectors of the French capital in various contexts and cultural traditions. Spanning to , authors of African descent have pondered the French tyranny of universalism and interrogated the myth of Paris as a space of liberation for the African diaspora.

Some of the most well-known Francophiles such as James Baldwin also wrote about a French capital marred by colonial exclusion. By desegregating the cultural study of Paris to include its impoverished outskirts, the book reveals that writers and filmmakers have deployed Franco-African intimate encounters to articulate the political exclusion of racialized subjects.

In the colonial and contemporary eras, their narratives of intimacy can help us better understand the ways in which gender and sexual difference work ed to construct, maintain, or challenge racial boundaries. The Space Age is over? Not at all! A new planet has appeared: Earth. In the age of the Anthropocene, the Earth is a post-natural planet that can be remade at will, controlled and managed thanks to the prowess of geoengineering.

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This new imaginary is also accompanied by a new kind of power—geopower—that takes the entire Earth, in its social, biological and geophysical dimensions, as an object of knowledge, intervention, and governmentality. In short, our rising awareness that we have destroyed our planet has simultaneously provided us not with remorse or resolve but with a new fantasy: that the Anthropocene delivers an opportunity to remake our terrestrial environment thanks to the power of technology.

Cartoonists make us laugh—and think—by caricaturing daily events and politics. The essays, interviews, and cartoons presented in this innovative book vividly demonstrate the rich diversity of cartooning across Africa and highlight issues facing its cartoonists today, such as sociopolitical trends, censorship, and use of new technologies. Celebrated African cartoonists including Zapiro of South Africa, Gado of Kenya, and Asukwo of Nigeria join top scholars and a new generation of scholar-cartoonists from the fields of literature, comic studies and fine arts, animation studies, social sciences, and history to take the analysis of African cartooning forward.

Taking African Cartoons Seriously presents critical thematic studies to chart new approaches to how African cartoonists trade in fun, irony, and satire. The book brings together the traditional press editorial cartoon with rapidly diverging subgenres of the art in the graphic novel and animation, and applications on social media.

Interviews with bold and successful cartoonists provide insights into their work, their humor, and the dilemmas they face. This book will delight and inform readers from all backgrounds, providing a highly readable and visual introduction to key cartoonists and styles, as well as critical engagement with current themes to show where African political cartooning is going and why. Dealing with histories of colonialism, slavery, genocide, civil war, and gender and class inequities, essays examine literature and arts of Africa, Europe, the Middle East, the Pacific Islands, and the United States.

Sebald, and the contemporary trans movement. Drawing on quantitative analysis and robust archival work, it reveals the long history of print anonymity so central to the risks and benefits of the digital culture. Bracketing out the author, Mark Vareschi brings into sight other features of publication: namely, networks of writing and reception and a complex of print and performance. His careful bibliometric work establishes changing percentages of anonymous publication across decades and genres.

This is fresh, compelling, detail-rich scholarship and essential reading.

As challenging as it is to imagine how an educated cleric or wealthy lay person in the early Middle Ages would have understood a letter especially one from God , it is even harder to understand why letters would have so captured the imagination of people who might never have produced, sent, or received letters themselves. The book contributes to a growing interest in the intersections between medieval studies and media studies, blending traditional book history and manuscript studies with affect theory, media studies, and archive studies. Colony Collapse Disorder, ubiquitous pesticide use, industrial agriculture, habitat reduction—these are just a few of the issues causing unprecedented trauma in honeybee populations worldwide.

In this artfully illustrated book, UW PhD alum Heather Swan embarks on a narrative voyage to discover solutions to—and understand the sources of—the plight of honeybees. Using her own quest for understanding as a starting point, Swan highlights the innovative projects and strategies these groups employ. Her mosaic approach to engaging with the environment not only reveals the incredibly complex political ecology in which bees live—which includes human and nonhuman actors alike—but also suggests ways of comprehending and tackling a host of other conflicts between postindustrial society and the natural world.

Each chapter closes with an illustrative full-color gallery of bee-related artwork. A luminous journey from the worlds of honey producers, urban farmers, and mead makers of the United States to those of beekeepers of Sichuan, China, and researchers in southern Africa, Where Honeybees Thrive traces the global web of efforts to secure a sustainable future for honeybees—and ourselves.

As England withdrew from its empire after World War II, how did writers living outside the United Kingdom respond to the history of colonialism and the aesthetics of modernism within a global context? In fourteen original essays, edited by Richard Begam and Michael Valdez Moses, a distinguished group of scholars considers these questions in relation to novelists, playwrights, and poets living in English-speaking countries around the world.

Modernism, Postcolonialism, and Globalism not only examines how modernism and postcolonialism evolved over several generations, but also situates the writers analyzed in terms of canonical realignments inspired by the New Modernist Studies and an array of emerging methodologies and approaches.

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While this volume highlights social and political questions connected with the end of empire, it also considers the aesthetics of postcolonialism, detailing how writers drew upon, responded to and, sometimes reacted against, the formal innovations of modernism. Many of the essays consider the influence modernist artists and movements exercised on postcolonial writers, from W.

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Examining how Anglophone writers engaged with the literary, intellectual, and cultural heritage of modernism, this volume offers a vital and distinctive intervention in ongoing discussions of modern and contemporary literature. ISBN: This project examines disability in the Renaissance in conduct books and treatises, travel writing, and wonder books. The cross-section of texts is comparative, putting canonical European authors such as Castiglione into dialogue with transatlantic and Anglo-Ottoman literary exchange.

Its methodology takes a formal and philosophical approach to pre-modern formulations of monstrous bodies, spaces, and narratives, which continue to shape our understandings of disability today. I contend that these categories coexist and intersect, and that we can better understand early modern productions of disability by attending to the rich variety of monstrous bodies, spaces, and narratives that populate Renaissance texts.

U niversity of W isconsin —Madison. Friedman, S. Prentice Hall, Psyche Reborn: The Emergence of H. Indiana University Press, Keller, L. Cambridge University Press, Kelley, T. Editor , R. Friedman Editor. Signets: Reading H. University of Wisconsin Press, Friedman Editor , S. Joyce: The Return of the Repressed. Cornell University Press, Editor , C. Princeton University Press, Keller Editor.

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Feminist Measures: Soundings in Poetry and Theory. University of Michigan Press, Castronovo, R. University of California Press, Olaniyan, T. Oxford University Press, Editor , P. Kelley Editor. Romantic Women Writers: Voices and Countervoices.

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University Press of New England, Begam, R. Samuel Beckett and the End of Modernity. Stanford University Press, Bernstein, S. University of North Carolina Press, University of Chicago Press, Reinventing Allegory. Ashgate, Mappings: Feminism and the Cultural Geographies of Encounter. Bow, L. Duke University Press, Analyzing Freud: Letters of H. New Directions, Editor , D. Castronovo Editor. University of Virginia Press, Foys, M. The Digital Edition of the Bayeux Tapestry. Editor , J.

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    Zimmerman, D. Blackwell, University Press of Florida, Olaniyan Co-editor , T. Begam Editor , R. Moses Editor.